Home in Italy - Luxury villas in Italy
Europe +39 075 505 78 65
UK toll free 0 808 189 0999
US and Canada toll free 1 877 293 7654

you are viewing Italian events


posted by Home In Italy on October 4th, 2013


The French artist and Post-Impressionist painter Paul Cézanne (Aix en Provence 1839 – Aix en Provence 1906) laid the foundation for the transition from the pictorial process of the 19th century to the new and radically different expression of art that dominated the 20th century. Opposed to many aspects of Impressionist art, Cezanne demonstrated that color and form are inseparable, and so formed the bridge between Impressionism and Cubism. The atmosphere of renewal created after the Second World War and the tendency towards the disintegration of the image, evident in the last phase of Cézanne’s work, suggest the creation of this new artistic vocabulary. Both Matisse and Picasso are said to have observed that Cézanne “is the father of us all.” The exhibition focuses on the influence Cezanne had on Italian artists Boccioni, Morandi, Pirandello, Corporo and Morlotti.
Complesso Del Vittoriano, Via Di San Pietro In Carcere (Piazza Venezia)
Monday – Thursday, 9:30 am – 7:30 pm and Friday – Saturday, 9:30 am – 11 pm; through February 2, 2014


Introducing his life and work, this exhibition celebrates Capa’s (1913 – 1954) centennial year and the 70th anniversary of the disembarkation of the Allies on the shores of Italy in 1943, which Capa documented. Capa is best known for redefining wartime photojournalism by insisting on joining soldiers in the trenches and documenting their battle in close-up shots that depicted the grim, harsh reality of war in the midst of combat. After covering the Spanish Civil War, his first assignment, he went on to cover World War II, the 1948 Arab-Israeli War and the First Indochina War, during which he was killed by a landmine. Capa co-founded Magnum Photos with Henri Cartier-Bresson.
Museo di Roma, Palazzo Braschi,  Via Di San Pantaleo (Piazza Navona); through November 2


Founded in 1888 in Washington D. C. by a group of scientists who decided to explore the world, the National Geographic Society celebrates 125 years of discoveries. This exhibition reminds us of the extraordinary places, peoples, stories and species discovered over the century, with 125 photographs shot by National Geographic photographers. The show’s curator, Guglielmo Pepe discusses NG’s significance, pointing out that it is more than a photographic magazine but has served as a forum for scholars, researchers and journalists. Palazzo delle Esposizioni, Via Nazionale 194 (between Piazza Venezia and Piazza della Repubblica)
Tuesday – Thursday , Sunday, 10 am – 8 pm and Friday – Saturday 10 am – 10:30 pm; through March 2


In the centennial year of Venanzo Crocetti’s birth (Giulianova, August 4 1913 – Roma, February 3, 2003), an exhibition dedicated to his masterful sculptures, tracing references to the figurative language of the classical Egyptian, Etruscan and Greek cultures that prevailed in his work for the entirety of his career. His persistence in representing classical motifs in his compositions helped set him apart from the avant-garde that developed around him.
A selection of eighty-five sculptures in bronze, a series of models, drawings and preparatory studies divide the exhibitions into three thematic sections: the Elegantiae, Etternale and Clementiae.
Palazzo Venezia, Via Del Plebiscito 118
Tuesday – Sunday, 8:30 am – 7:30 pm; through October 20


In collaboration with the Museo Galileo – Institute and Museum of the History of Science in Florence, an exhibition featuring models of inventions attributed to Archimedes (Syracuse-Sicily, 287 – 212 BC), the mathematician, physicist, engineer, inventor and astronomer. Among his inventions in physics are the foundation of hydrostatics, statics and an explanation of the principle of the lever. He is credited with designing numerous machines, including siege engines and the screw pump that bears his name. Archimedes is said to have designed machines capable of lifting attacking ships out of the water and setting ships on fire using strategically placed mirrors. He was slain by a Roman soldier during the Second Punic War (212 BC) despite the orders of General Marcus Claudus Marcellus that he was not to be harmed. His tomb, surmounted by a sphere inscribed within a cylinder, is testimony to what is said to have been his greatest achievement, proving that the sphere has two thirds of the volume and surface area of the cylinder including the bases of the latter. The exhibition includes archaeological findings from the ancient city of Syracuse.
Musei Capitolini, Piazza Del Campidoglio 1
Tuesday – Sunday, 9 am – 8 pm; through January 12, 2014


Considered one of the most influential artists of the later 20th century, Isgrò was an innovator, poet, writer and theorist of Erasure, who paved the way for a new artistic language. Isgrò created “cancellature,” meaning works accomplished by acting on texts and manually covering some parts of them. Those words not effected by deletion become a new message carrying essential meanings, the unessential aspects having been obliterated.
This exhibition begins where the artist’s 2008 retrospective at the Center for Contemporary Art Luigi Pecci concluded. Its intention is to reveal the actuality of the art of Isgrò, as well as to portray the close relationship between the past and the present. The new installations, which review the complexities of the last period, are composed from elements outlined in the sixties and seventies, while continuing and expanding on the artist’s themes.
GNAM – Galleria Nazionale d’Arte Moderna Viale Belle Arti 131
(Parioli at the north end of the Borghese Gardens)
Tuesday – Sunday, 8:30 am – 7:30 pm; through October 6


The first extensive international retrospective of Francesco Vezzoli displays 15 years of work in three separate but related exhibitions at MAXXI, MoMA PS1 in New York and MOCA in Los Angeles. Each one examines in depth the fundamental aspects of his body of work. At MAXXI, the galleries have been transformed into an over-decorated 19th century-style museum. A section devoted to the subject of self portraits has also been included, linking the various works by Vezzoli to a broader reflection on individual and collective identity. Whether in the form of petit-point embroidery, videos, photographs or sculptures, the Brescia-born artist’s works are an intermingling of references and quotations with fragments of art house cinema, Hollywood films and television productions, and the history of art, of fashion and of politics, Vezzoli delves deep into the world of culture, both “high” and “low”. Inspired by themes from the popular imagination, he adopts mass-media mechanisms and, using a complex web of linguistic codes, exposes their processes and mechanisms, and the logic behind them. A deconsecrated XIX century church, originally built in the south of Italy, will be re-located on the grounds of MoMA PS1. MOCA (LA) will open Cinema Vezzoli, an exhibition which will outline Vezzoli’s attitude in playing with the world of classic European cinema and contemporary Hollywood stardom as a way of mirroring today’s obsession with fame, politics and the public exposure of private issues.
MAXXI National Museum of XXI Century Arts. Via Guido Reni 4
Tuesday – Friday and Sunday, 11 am – 7 pm, Saturday, 11 am – 10 pm; through November 24


posted by Home In Italy on July 8th, 2013

Steve McCurry has been one of the most iconic voices in contemporary photography for more than 30 years, with scores of magazine and book covers, over a dozen books, and countless exhibitions around the world to his name.

“What is important to my work is the individual picture. What matters most is that each picture stands on its own, with its own place and feeling.”

Recently McCurry realized some exclusive pictures of Umbria, just presented in first international preview in Milan before to be exhibited at New York for the celebration of the italian culture in the USA.

The exhibition is called Sensational Umbria! and it’s the summary of design culture in Umbria.


posted by Home In Italy on June 4th, 2013

Venice is ready to celebrate its 55th International Art Exhibition, set to run in the Arsenal and Giardini della Biennale, June 1st to November 24th.

The event is called Il Palazzo Enciclopedico or The Encyclopedic Palace, in memory of the self-taught, Italian-American artist Marino Auriti, creator of a project that originally bore this title.

Auriti’s design is of “an imaginary museum that was meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite.

The artist’s dream remained only an idea, although many artists, writers and scientists have attempted to bring it to life – by way of various studies - throughout the years.

The Biennale will be another variation on such attempts, a sort of experimental research exhibition not only for art, but for architecture as well. Gioni and Rem Koolhaas are the principal names heading up important shows this year.



posted by Home In Italy on December 17th, 2012
1 cup of sugar
1 tablespoon of light corn syrup
1-1/2 cups of blanched almonds, toasted
Combine the sugar and corn syrup in a pan. Stir continuously until the mixture looks like wet sand. Set the pan over low heat and allow it to melt and caramelize. Stir the mixture for 15-20 minutes.
Remove the pan from the heat.
Quickly stir in the almonds. Pour the hot croccante on a baking sheet and spread it out. Allow it to cool and harden.
After the croccante has cooled, break it into pieces to us as a candy.