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posts tagged ‘ art exhibition ’

An extraordinary archeological museum has been inaugurated; the Villa of the Mosaics of Spello is an exceptional treasure in the heart of Umbria.

posted by Home In Italy on April 17th, 2018

Spello, a small village famous for its narrow streets and for a wonderful chapel frescoed by Pinturicchio is the main character of a beautiful story with an happy ending. In 2005, while doing the excavations for a parking lot, some mosaics in perfect conditions came out. It turned to be a well preserved villa of the second century with incredible artistic mosaics.
500 square meters, 20 rooms brought to light, 10 mosaic floors of great beauty, with geometric and figurative motifs. The mosaics – in red, white, black, gray – are in the rooms around the courtyard that surrounded the inner garden: there are birds, stylized amphorae, a radiant sun, crescent-shaped shields. The central theme is the one of the harvesting and wine: did the villa belong to a winemaker? This is absolutely possible, given the ancient tradition of the area. Today, the Sagrantino, which enriches the landscape around Spello, is one of the most celebrated wines of Umbria and of Italy as a whole.

INFORMATION
Villa of the mosaics of Spello
Variable openings depending on the months of the year: from April to September, Tue-Sun and holidays 10.30am-1pm and 2.30pm-5pm.
Admission 6 euros, reduced to 4 and 2 euros.
Info: www.villadeimosaicidispello.it

Admiring Giotto, Perugino and other Italian art treasures in Perugia

posted by Home In Italy on May 23rd, 2017

From 11th April to 15th September 2017, Vittorio Sgarbi, curator of the exhibition, presents a real temporal museum display entitled “From Giotto to Morandi. Art Treasures of Italian Foundations and Banks “. The exhibition is hosted in Palazzo Baldeschi, a historic building of extraordinary beauty in Perugia.

Visitors will feel as though they were going through the gates of a large national museum, such as visiting the Uffizi Gallery in Florence or the Capodimonte Museum in Naples.

It is a large patrimony, belonging to banks and foundations, which collects paintings of exceptional value, showing the historical and cultural features of the different territories of the Italian peninsula from the ’300s until the’ 900s, despite the variety of its composition.

This particular activity of collection represents an aspect of the more comprehensive cultural commitment of Banks and Foundations in a wider framework of activity and commitment to the community: purchase, recovery, restoration, and thus protection and enhancement of art works that would otherwise be dispersed.
The exhibition in Perugia takes into account the evolution of styles and provides an extensive overview of the subjects chosen by the artists. It ranges from the sacred theme to the allegorical and mythological representations, from the genre of the portrait to the ones of landscape and still life.
An appointment not to be missed if you are in Perugia or in Umbria for a weekly vacation.
For information on stays in Umbria please visit: http://www.homeinitaly.com/luxury-villas-umbria.php

BURRI HOSTS POLLOCK, RAUSCHENBERG, MIRÓ, CHRISTO AND OTHER BIG NAMES IN CITTA DI CASTELLO

posted by Home In Italy on November 18th, 2016

After the Guggenheim in New York and the Kunstsammlung Düsseldorf, the highly anticipated exhibition at the former tobacco drying, in Umbria for the closing of the centenary with an exhibition titled ‘Materia between Europe and the US Space’, just opened and remain open until January 6th , 2017 .

After the significant success of the exhibition ‘Alberto Burri “The Trauma of Painting” of October 2015 at the Solomon R. Guggenheim Museum in New York and the next stop at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, the Celebration of the Centenary of the birth of the great Italian artist they end with a new exhibition event in Citta di Castello, his hometown.
The exhibition housed in the former tobacco drying, the exhibition presents an extensive survey on the most significant trends in contemporary art of the post-war period of the twentieth century, it seems possible to combine the art of Burri is as thematically prior to it is as contemporary or later with identified aspects of dialectical most obvious influence.

As stated by Richard Armstrong, Director of the Guggenheim Museum at the opening of the retrospective ‘Alberto Burri: The Trauma of Painting’, “the exhibition says the position of Burri as one of the most innovative artists of the period of the second world war. Burri created a new type of object, simultaneously painting and sculpture, which influenced later artists associated with new Dada, the Nouveau Realism and Postminimalism … “and, one might add, with the Italian Arte Povera.

These considerations there are others, no less fundamental for linguistic invention sprang from his work. Burri is in fact the artist directly and almost exclusively in the use of the material has got a brand new spatiality in the name of an “unexpected control” and a masterful balance that has qualified it forms. In setting, alongside a select group of works by Burri, 20, from tar to molds, from bags to humpbacks, from wood to burn, from the plastic knife, the cracks to cellotex until the ‘black and gold’, will be You can see works by masters protagonists of the twentieth and twenty-first century.

On display there are creations of Fautrier, Dubuffet, Pollock, Motherwell, Hartung, De Kooning, Wols, Calder, Marca-Relli, Scarpitta, Matta, Nicholson, Tàpies, Glue, Rauschenberg, Twombly, Johns, Fontana, Manzoni, Castellani, Hooks , Lo Savio, Klein, Rotella, Christo, Tinguely, Arman, César, Morris Sonnier, Beuys, Kounellis, Calzolari, Pistoletto, Pascali, Nevelson, Piene, LeWitt, Scajola, Mannucci, Leoncillo, Andre, African, Chamberlain, Capogrossi, Kiefer, Miro, Soulages and others.
Alongside works a photographic documentary of the repertoire and historical juncture between 1947 and 1989, including on the artistic current data, posters, brochures, catalogs, publications, videos, films, biographies, theoretical productions and other significant artworks.
It will wind along a separate path from the works themselves, facilitating the use of this particular cultural moment in history of art from the postwar period to the symbolic end of the cold War and the fall of the Berlin wall.

In a catalog there are collected essays and critical contributions of Peter Bellasi, Paola Bonani, Mario Diacono, Thierry Dufrene, Aldo Iori, Petra Richter, Luigi Sansone, Sarteanese Francesco Tedeschi, Italo Tomassoni, Denis Zacharopulos, Adachiara Zevi, preceded by introductory speeches Bruno Cora, curator and president of the Fondazione Palazzo Albizzini Collection Burri and Richard Armstrong, Director of the Solomon R. Guggenheim Museum in New York. The publication is supplemented by images of the exhibited works and the historical and bibliographical information about the artists.

Where to stay in Umbria.

MONET’S WATERLILIES AT THE MAGNANI ROCCA OF PARMA

posted by Home In Italy on October 21st, 2016

The famous waterlilies by Claude Monet (Paris 1840 – Giverny 1926), from the United States, expose  Magnani Rocca Foundation in Parma along with two other works by the French painter. The landscape is a constant theme of the whole Monet’s career, he proposes to modernity a different way of observing nature.
Through working en plein air, which effectively brings the studio directly in the places of study, the artist follows the total physical immersion as mental subject, with the intention of capturing not only the most accurate shades of light and movement, but also the change of the natural conditions.


The beginning of these studies is repeated starting from 1876 in the paintings dedicated to the station of Saint-Lazare in Paris, scenario that best of all records, in addition to the dynamic nature of the content, even the transformation of industrial progress in the city. However, with the Rouen Cathedrals series, starting from 1892, Monet reaches not only fame, but also significant results for these new coloristic investigation.
Confirmation of the new way of conceiving space you evanescent is the deepening of the cliffs, in particular are popular cliffs of Normandy to represent the subject of an adventurous desire to mutability.

TIMETABLES
From Tuesday to Friday 10-18 (ticket office closes at 17) – Saturdays, Sundays and holidays 10-19 (ticket office closes at 18). Closed Mondays, open Monday October 31. Tickets: € 10.00 also applies to the permanent collections and, from September 10, for the exhibition ITALIAN POP – € 5.00 for schools.
Information and booking groups: tel. +39 0521 848327/848148 info@magnanirocca.it